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Hook, line, and sinker

Kuzey

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Sep 6, 2025
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Sharks Unhooked: The Adventures of Cristina Zenato, Underwater Ranger by Patricia Newman, illustrated by Becca Hall (Millbrook Press, 40 pages, grades 1-5). Although Cristina Zenato grew up in Zaire (now the Democratic Republic of Congo), she and her family were Italian and returned to Italy every summer. There, Cristina grew to love swimming in the sea and was especially fascinated by sharks. She longed to learn how to scuba dive, and she finally got her chance after college on a trip to the Bahamas. Cristina decided to move there and spent hours in the water, getting to know the world underwater. Clad in a chain suit, with mackerel treats, she soon earned the trust of many of the sharks. She learned that sharks often get fishing hooks stuck in their bodies, and soon she was removing them from sharks’ gills, fins, tails, and even their throats. At first, she threw the hooks away, but eventually she collected them to use as an educational tool for humans to learn about their dangers to sharks. Includes additional information about sharks and Cristina Zenato, including a note from Cristina with a photo, and a list of books about sharks.



A Line Can Go Anywhere: The Brilliant, Resilient Life of Artist Ruth Asawa by Caroline McAlister, illustrated by Jamie Green (Roaring Brook Press, 40 pages, grades 2-5). Ruth Asawa first became aware of lines when she drew them in the dirt on her family’s farm in California. The middle of seven children, she had plenty of chores to do on the farm, but she still found time to create art, whether it was practicing calligraphy at Japanese school on Saturdays, making bracelets from discarded wire, or painting a prize-winning poster of the Statue of Liberty. When World War II broke out, an invisible line divided the Japanese and American parts of Ruth’s life. Her father was taken away, and the rest of the family was sent to a camp. Ruth practiced her art there, getting lessons from professional artists who had worked for Disney, and eventually was able to leave camp to go to college. Even after she got married and had six children of her own, she continued to create art, first making wire sculptures with thousands of intersecting lines and later getting commissions to sculpt fountains and a memorial for families imprisoned during World War II. Includes a lengthy author’s note with additional information, a couple of photos of Ruth with her art, and a bibliography.

Both Cristina and Ruth followed their unique dreams, despite the obstacles, and although both have had success in their chosen fields, it’s obvious that their joy in life came from following their passions rather than the external rewards. I was happy to read about a Ruth Asawa retrospective opening at the San Francisco Museum of Modern Art on the very same day that I read this book.
 
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